Saraswati Yantra

Este Yantra es grabado en la placa de cobre con recubrimiento de oro. Diosa Saraswati es considerado como el dador de la sabiduría, la educación, la inteligencia y el habla. Ella es Vak También conocida como Devi (diosa de la palabra) y Sakala kaladhishtatri (Otorgar Diosa de Todas las Artes). Cuidadosamente preparado Saraswati Yantra, si propició con ardiente Devoción definitivamente Puede Mejorar el conocimiento de los devotos. Por adorar Saraswati Yantra los estudiantes se desempeñan bien en los examenes. La concentración y la Capacidad de memoria aumenta. Sólo los buenos pensamientos que SURJAN en sus mentes. Para la Adquisición de la sabiduría espiritual También, la gracia de la diosa Saraswati muy esencial. El culto de Saraswati bendice a la persona con habilidades intuitivas y una inclinación creativa de la mente. Uno de ellos es bendecido con una comprensión de la música, la danza y otras artes creativas y está habilitado Para lograr el dominio de ellos.

Incienso Puedes Ofrecer frutas y flores, cantar y recitar mantras Algunos Frente a este Yantra, y estar Consciente de que despues de todo, el dador es el Ser Supremo a quien todos los dioses estan Dispuestos a servir. Este Yantra ayuda para el avance del conocimiento espiritual, el estudio de los Vedas y el control de la mente.

Ommm Shanti, Shanti, Shanti ...

The Rainbow Band- Now Is The TIME. 1971

Tracklist:

1. Rama Rama

2. Lotus

3. Sweater Song

4. Simple Song

5. Midnight Sun

6. Song of the Navajo

7. Now is the Time

Not to be confused with the Danish band of the same name, this Rainbow Band was an American outfit that released one record on Elektra back in 1971. It never ceases to amaze me that there was a time when major labels put out really good records (technically Elektra was a major at this point, having been sold to Warner in 1970). This album appears in the Elektra catalog between the intriguing Crow Dog's Paradise' album of peyote songs & Mike Heron's fantastic Smiling Men With Bad Reputations record. So why all this talk about the Elektra catalog? Well, to be honest, it's because I know very little about the group that put together this very cool slice of rural, commune psych.And I can tell you who participated in the recording (although not what they did):Mahesh, Pavarthi, Maruga Booker, Nithyan Gefron, Scotty Avedisian, Phil Catanzaro, Ragunath Mancini, Trevor Young, Gary Olerich, Darius Brubeck, Colin Wolcott, Nirmala, Sharon Simon, Lalitha, Janiki Tenny, Priscilla, Victoria, Felix, Anandi, & Shiva.Some of the names are familiar. Colin Wolcott was a founding member of the group Oregon. Darius Brubeck, a jazz performer in his own right, is Dave Brubeck's son. Shiva is the "One who purifies everyone by the utterance of His name" in Hinduism--Ok, perhaps it's not the same Shiva. However, I can't say anything about the duo who fronted the outfit except that they look blissed out on the cover. This record also comes from the WMUC library

SADDAR BAZAAR - The conference of the birds.1998.

Saddar Bazaar - 1998 - The Conference of the Birds
Delerium DELEC LP 034, 1998
SIDE
1:1 Sukoon 5:162 Arc of Ascent (Part One) 5:203 Kiff Riff 6:264 Garden of Essence 8:04SIDE 2:1 Sukoon (Reflection)
2:132 Shamsa (Sunburst) 3:243 Baraka 2:194 Arc of Ascent (Part Two) 3:505 Freedom Rider
4:196 Neelum Blue 4:52

Saddar Bazaar are:Rehan Matthew Hyder: Guitars, Percussion, Kubing, Dholak & Agoual on "Shamsa"Shaun Hyder: Sitar, Percussion,
KubingDuff Dave Spencer: Dholak, Agoual, Tablas, Percussion
Terry Banx: KeyboardsRecorded at The Bunker, Bristol during the Summer of 1994.

Engineered by Bob Pierce.Produced by Bob Pierce and Saddar Bazaar.Artwork by Harvey WoodwardPRESS REVIEWSMojoStick two psych-crazed kids from Bristol in the studio with Bob Pierce, ex of '60s freak beat legends The Mirror, and the result is a haunting hybrid of transcendental ragas and psyched-out slide guitar. No syrupy tea'n'crumpets English whimsy here, no shimmering digital trickery, just the droning narcotic detachment of the Spacemen 3, the dynamic overdriven fuzz slide of Ry Cooder circa Ceyleib People and some sublime electric sitar. Third Ear Band for the 90s? Blues for Ghandi? Who the hell cares? Just keep taking the tablas boys. (Cliff Jones)AudionAn unusual combo this new band from Bristol, with sitars, slide-guitar, tablas and all sorts of unpronounceable Indian instruments. Really, could you imagine Ry Cooder jamming in wth George Harrison's Wonderwall, or the sitar ragas of Popol Vuh combined with Rustic Hinge or Cul De Sac? Heady, far-out, totally instrumental. you'd never guess it was recorded summer last year! Nothing much more I can say really as I got spell-bound by it, and before I knew it the album was finished. Superb! (Alan Freeman)Ptolemaic TerrascopeLast time I heard Saddar Bazaar was when they played a support slot for the Bevis Frond in home-town Bristol some four or five years ago, and I must confess that at the time the only thing I remembered was how forgettable they were. And yet now, with all the grace and favour of the intake of a butterfly's breath, Saddar Bazaar have blossomed into an exotic and breathtakingly diverse instrumental outfit who successfully encompass mythology, restaurants and bean-bags in their search for the ultimate tabla d'hote. Far from being another of Dlerium's novelty acts, Saddar Bazaar are one of their most exciting, original and potential-filled signings to date. What's special about this band is the way they mix Western-styled slide guitar licks with their obviously Eastern instrumentaion, your sitars and dholaks and agouals and other assorted hot side dishes, together making for a heady mixture that's as textured as a tufed rug and just as comfortable to roll around on. "Arc of Ascent (parts 1 and 2)" and "Garden Of Essence" are probably the strongest tracks on here, the latter building to a hearty throb like a BSA at full throttle and splashing just as much oil around in the process, but Saddar Bazaar are right on target throughout and I'm more than happy to admit that I was entirely wrong about the band all along. I have no idea at all what kind of market this album will appeal to, but I like to think a large number of Terrascope readers will be intrigued enough to investigate it. Leave your preconceptions on you bedpost overnight and you won't be disappointed.


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